Classical Music

A New Guide By Rattalino

4 replies 1,377 views

Started by

Antonioragni

Member

Member

Opening post by Antonioragni

Posts
1

Hello everyone, I've been reading for a long time but have only just subscribed.

The reason is that I received a newsletter that seems particularly interesting to me: at the beginning of March, Piero Rattalino's Guide to Pianistic Music will be released by Zecchini Editore, which has already published many books by Rattalino.

I'll copy some info for you:

The Guide to Piano Literature is set up more as a historical encyclopedia than a catalogue. Cataloguing data has been kept to a minimum because the publication intends to appeal primarily to an audience of enthusiasts, rather than experts, and the analytical elements drawn from historical circumstances, biographies, descriptions, language, structures, instrumentation, and dramaturgy found in different authors and compositions are therefore used for a critical evaluation concerning both the artistic and sociological aspects of the music under examination. There are 109 composers discussed. There could have been more if the Author had dedicated less space to the major protagonists, and there could have been fewer in the case of a more restrictive selection. Regarding the inclusion or exclusion of this or that composer, the most disparate opinions can be quite legitimately expressed. The Author alone is responsible for the choice, which depended essentially on the dimension to be given to the volume—neither too slim nor exorbitant—moving according to both objective, indisputable criteria and personal, subjective, and debatable preferences. A broad sociological essay precedes the "entries" because the Author believes it is important for the reader to know, at least in broad terms, the history of the instrument, its technological evolution, its place in the musical world, and thus the field of concrete possibilities within which composers moved and operated at different times and in different circumstances. Both compositions for solo piano and for piano and orchestra are examined, as the contiguity between the two fields is such that it was advisable to keep the two treatments together rather than separate.

Anyway, there should be more on the Zecchini website

Hello everyone

Antonio

wink.gif

Member

Reply 2 by diapasuono

Posts
78
City
carrara

Hi Antonio, thank you very much for the report. I met Rattalino in person during a Masterclass and have read some of his writings which I find interesting. However, Rattalino has his own ideas about the piano and about pianists in general....in short, he must be handled with care. I will proceed with the purchase. Bye and thanks again.

Moderator

Reply 3 by pianoexpert

Posts
3,876
City
rocca di papa

I agree with Diapasuono. Nothing against Rattalino, who is a great scholar. Sometimes he has particular ideas and remains a bit "on the treatment" without offering definitive solutions. I don't know the text, but I have several of his books. I will look into it.

Member

Reply 4 by diapasuono

Posts
78
City
carrara

Yes exactly Paolo, personally he is a master with great analytical skills regarding the score and the authors treated, but I remember certain advice on some Beethoven sonatas that.......one had to doubt. For example, for many chords he suggested playing them in cadence without legato, and this wasn't quite consistent with those passages.....a bit against certain slurs...this Rattalino? I'm joking of course, but anyway, everything must be carefully weighed. When is your video lesson? Bye Paolo.

Moderator

Reply 5 by pianoexpert

Posts
3,876
City
rocca di papa

I beg your pardon. I will do it shortly, but I am very busy. Furthermore, I am leaving for Frankfurt for the annual Musikmesse (Music Fair). The sixth lesson is complex and will mainly deal with "rotation". I would like to get to technically analyzing a piece soon. I am thinking about it, so that the choice falls on a piece that contains all the basic gestures, but is at the same time accessible to everyone. Perhaps a Mozart sonata, ...but don't tell anyone 🙂

Log in to participate