TheSimon wrote:Hi everyone, a little help please...
My cousin asked me for help defining an outline for his scientific high school thesis. He would like to use "time" as the connecting element.
While I found no difficulty in suggesting scientific topics, I am quite uncertain regarding the humanities.
my specialty ;-)
Bergson, without a doubt, but also Husserl and his definition of "temporal objects". Both reflections are linkable to music. Bergson, with his concept of duration, will provide a dimension for all modern investigations into listening. Husserl, by defining temporal objects, gives a definition of sound that is an object "in" time which itself has a duration.
Seneca speaks a lot about time, but so does Saint Augustine, with his discussions on eternity (and on music). At worst, one can always talk about metric scans, prosody, or rather the measurement of time.
here it is enough to talk about waves and duration. You will know more than I do.
here it is more complex... the best thing is to eliminate mathematics from the thesis.
rotations, revolutions and movements of the spheres. Which have to do with music and with the measurement of time.
obligatory, along with Bergson, the interior monologue and the novelistic techniques relating to duration and the different times of the fabula and the plot. Gadda in Italian, Joyce and Virginia Woolf in English.
it would be interesting if he brought part of Monet's Rouen Cathedral series. There are 50 paintings of the cathedral at different parts of the day and year. Color as a function of time is a very modern and innovative thought, and if he goes there with about ten beautiful prints, he will make a hell of an impression.
the usual passepartout: definition of the short century, why segmenting into eras causes problems for historians, and things like that.
Anyway, the problem with such a thesis is that it MUST have a little chapter dedicated to music. And if he wants to talk about time and music, and do so in a way that fits into the fifth-year curriculum (scientific high school I assume), then he must go for the '900... and as you well know, that is not an easy musical topic.
The more I write, the more I think it would be intriguing not to talk about time "in general" (at least not in music, Latin, and Italian) but about temporal scans, i.e., RHYTHM. A thesis on rhythm would be very lovely and original. He could bring in the Futurists in Italian or poetry for music, or he could bring in Carducci and his studies on Greek and Latin meters. He could talk about Latin prosody or simply bring some Latin poems, reading them in meter, or he could bring Boethius' De Musica and musical treatises, which often spoke of prosody. In history, he could talk about the battles for rights and the role of rock and blues music in these situations (it's a bit of a stretch, but the Beatles or Woodstock are nice topics; he could even talk about Reggae if he wanted). For philosophy, there is always Bergson and Husserl, but if he wants, I can look for something by Boulez that reflects on the difference between striated time and amorphous time. He could also talk about Entrainment; I wrote about it recently, regarding the "rhythmic" tendencies of our body.