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Belmas
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Musical experiences, whether listening and performing, educational or otherwise, form the idea of topicality.
Therefore, what was once intended as the avant-garde now travels on orbits that ultimately intend to neglect it.
The complexity of music is spreading through recent high-altitude productions, perhaps particularly in ensemble music. Simplicity is understood in a vertical way, expressive up to an altitude, rarefied beyond.
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... for which...?
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Marzapane wrote:4 minutes ago, Marzapane said:
... so what...?
after fifteen years of experience I have returned to writing atonal things, but hybridized as several true authors do nowadays. initially I was thinking about consonances, now about dissonances.
so.. at least that
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An attempt at classifying dissonance was already made a century ago by Schoenberg... I don't think that consonance or dissonance in themselves can be a driver for the listener.
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the engine for the listener is having friends able to play, go to concerts, or start up cars to listen to music.
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Harmony is a parameter that over the last 70 years has become a given of musical language; there has been a significant shift towards timbre and the use of a broader sonic universe. Of course, in entertainment music, the "leading tone continues to rise" and "the seventh continues to fall."
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BackSpace wrote:17 hours ago, BackSpace said:
Harmony is a parameter that over the last 70 years has become a given of musical language; there has been a major shift towards timbre and the use of a wider sonic universe. Of course, in entertainment music, the "sensible continues to rise" and "the seventh continues to fall."
I have no doubts, now I do what I can. Technologically, I am and remain in a niche microclimate
