I heard it mentioned in a Jazz context, but where does it come from?
I looked at a couple of improvisation manuals and there is no mention of it ...
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Dante
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I heard it mentioned in a Jazz context, but where does it come from?
I looked at a couple of improvisation manuals and there is no mention of it ...
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The correct name is Rhythm Changes.
now I don't have time to add anything else, maybe a long discussion can be developed.....:-)
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Feliciano wrote:The correct name is Rhythm Changes.
I quote; in fact, I cannot understand (and I am not addressing Dante) how one can speak of 'anatole' when nobody knows its meaning in relation to rhythm changes.
... it seems to me like a classic Italian thing, precisely: where exactly did you hear it, Dante?
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In fact, the term anatole is only used in Italy; anyway, it refers to pieces with a structure analogous to pieces like Gershwin's 'I Got Rhythm', a structure that is precisely defined as rhythm changes
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Thank you everyone
Feliciano wrote:now I don't have time to add anything else, maybe a long discussion can be developed.....:-)
...so I will wait
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JazzMania wrote:... it seems to me like a classic Italian thing, precisely, where did you hear Dante?
Ā
... it is also used in France ;-)
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The term Rhythm Changes derives precisely from the song I got rhythm by G. Gershwin ("changes" in English represents the harmonic structure).
Broadly speaking, it is a 32-bar structure in AABA form (although I got rhythm is slightly different), in which the A is largely composed of a turnaround and the B of a sequence of secondary dominants that lead to the V degree of the home key (generally B-flat). Naturally, numerous variations are found.
Some examples:
I got rhythm (Gershwin)
Anthropology (Parker)
Rhythm-a-ning (Monk)
Oleo (Rollins)
Cotton tail (Ellington)
Meet the Flintstones (Curtin)
Lester leaps in (Young)
Salt peanuts (Gillespie)
Suspone (Stern)
etc.