So....
Maybe I am the ignorant one regarding forums, but my question is this: is it enough for someone to post a link to their own performance to be branded as spam? Everyone has a channel, everyone performs, everyone publishes, and many even have a website. Then at least 70% of those who frequent this forum should be banned!
"these covers made to increase one's own visibility are merely self-mockery that turns against social culture; in fact, already now, to any outsider I tell that I study at a conservatory, they respond: 'Cool! So you know how to play Allevi? Or even Einaudi?' but please.......... PS: I cited those two, but who knows, perhaps in a few years it might instead be your name, like so many others who do this kind of thing"
Dear pianothor, I don't know who you are, I know who I am: my name is Francesco Di Santo, I did 12 years of conservatory, graduated with maximum marks and honors in tradition and second level. I have behind me more than 200 concert performances, 7 years of composition, various masters, 4 publications of a didactic nature, and I am a scholar and "practitioner" of the RUSSIAN SCHOOL, to which I will soon dedicate a specific course for all those who wish to go deeper.
I am not the best, but I am not a newcomer.
It is true, many do covers, just as many play a Scarlatti sonata or a Chopin nocturne. So you are also one of the many. Oh no! The game is always played on the quality of the work. It always depends on at what LEVEL things are done.
Whoever is able to step down from the pedestal of academic palaces and is intent on meeting real life and throwing their face, personality, and heart into it, should do so; otherwise, they should stay locked in their own world.
Like you, I detest the false-culturism of the Allevians, but that does not change the fact that, especially with the piano, one can TAKE A STUPID MELODY AND EMBROIDER ART WITHIN IT BY DIGGING AND STUDYING.
Didn't Bach embroider his fugues starting from 4 shitty notes? So why all this ostracism for little songs?
And so, one thing is to do only the melody and chords, one thing is to do melody and chords with a simple accompaniment, and one thing is to do melody, chords, and accompaniment with a touch of transcendental pianism that does not harm the research.
My message has evidently not been understood in this forum.
I will take my leave because I respect the rules, especially when they are made "ad hoc" for those seen as "competitors".
Ad Majora,
Francesco Di Santo