Let's say 50%, in the sense that on the same evening I have also been invited to another concert in a different area and my presence in Crema will depend on 2 or 3 factors ... independent of taste (primarily where I will be around 8:00 PM). If there is a possibility of being present, maybe I'll let you know.
Anyway, it's a nice place, I have also listened to another couple of concerts there. I don't know the trio, but I know who organized the concert, so their "word" is enough for me.
I remembered that Thallo was not a Baroque enthusiast
LucianoP wrote:
I like Baroque, it's just that I read authors about whom I know little to nothing ...
Early music is also made up of a series of works by "minor" authors who have gifted us interesting pieces. I don't know, does Bernardo Pasquini mean anything to you? Surely no one would obviously compare him to the monument Bach, but he gave us pieces like this
B. PASQUINI - Toccata con lo Scherzo del Cucco (Live in Payerne 2013)
It's worth noting that pianists, apart from the "big names," sometimes try their hand (who knows why) at authors like Grieco, Pollaroli, Pescetti, Pasquini (Ercole)... but without doing anyone wrong, one could mention Türk, Neefe, Witthauer, Daquin, Leopold Mozart, Wilton, Hook, Kress,, etc.
Leaving aside obviously Frescobaldi, Zipoli, etc. ... but then my question is always the same: why do they only contemplate Scarlatti in the fifth [ranking/category]?
Let's just say I have the answer.... and perhaps I had already told an "old story" as an Organist ... off the record ...
