I understand your point of view, which is different from mine. I apologize to you again for earlier and I say goodbye
No problem Valdon, you will think differently, but since conceptuality entered music, it is not enough to only reward beautiful ideas... I am writing this because in other authors, in my opinion, music and concept are on equal footing and the results can be felt
However, you didn't tell me if you have ever heard it all... at this point I assume not, so it is confirmed that you like the idea ... and as you understood, I was referring to the music ... and if I may say so, to a musician, perhaps that is what should interest them. The rest is meat for musicologists, critics, and their kind
... it was a pleasure to discuss the subject with you
In my opinion, this is the point... and I didn't write it
> More than an album, "Music For Airports" is a musicological treatise
Equally, I can say that the most accredited musicians maintain that Stravinsky's Le Sacre du printemps is an orchestration treatise
It's a pity that before knowing this, anyone who has already listened to it (all of it, thanks Dino) an infinite number of times... and in the case of Sacre, it is fair to say that it was a revolutionary piece; Stravinsky influenced much of the rhythm of the '900... and not just the last 40 years within a limited aesthetic scope.
