Cameron Carpenter - Passacaglia and Fugue in C Minor, BWV 582
https://www.youtube.com/watch?v=4UxIcKJyZZE&feature=share
Some will stop greeting me, but I think that besides playing well, he has created a fascinating character.
What do you all think?
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Organista94
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Cameron Carpenter - Passacaglia and Fugue in C Minor, BWV 582
https://www.youtube.com/watch?v=4UxIcKJyZZE&feature=share
Some will stop greeting me, but I think that besides playing well, he has created a fascinating character.
What do you all think?
Member
for someone it will surely be fascinating.
However, I wonder about the advantages (or disadvantages?) of having shoes with 7 - 8 cm heels.
what does an organist think? is it better? worse?
Moderator
Luca, on average two approaches to the pedalboard are used. There is the organist who plays barefoot (for which there is great contact and absence of a heel) and there is the one who plays with dance shoes completely resoled in leather, with a raised heel (let's say max 3/4 cm).
Even if 7-8 cm seem uncomfortable, I note that Madonna in her videos dances (and not at twenty years old) in extremely high stilettos that anyone would advise against
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Frank wrote:Luca, on average two approaches to the pedalboard are used. There is the organist who plays barefoot (for which there is great contact and absence of heel) and there is the one who plays with dance shoes
perfect Frank!... that's exactly where I wanted to get: you are confirming what I imagined (two approaches)
I take the liberty of also mentioning Irene, whom I appreciate very much (of the "barefoot company" )
Member
I am also part of the barefoot family, so I abhor heels