I wrote this myself!

Excerpt Dorian Sound -2-

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modale

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Reply 3 by Talentuoso

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Beautiful modal, I had written to you in your last post that that piece was the one that convinced me most compared to the ones I had heard... this one is even better

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Reply 6 by Frank

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Modal, I must tell you that this piece of yours is very sensual. I really like it very much; among those I have listened to, it seems to me the most inspired; at times sweet and delicate, at times just melancholy enough.

I also find the way it conducts itself to be spot on, my warmest compliments even if I imagine that the source of inspiration is not quite as pleasant... I saw that someone even suggested Gesang Der Junglinge.

I say... how do you do it?

http://parma.repubblica.it/cronaca/2012/05/20/news/attentato_di_brindisi_le_reazioni-35517640/

http://parma.repubblica.it/cronaca/2012/05/20/news/attentato_di_brindisi_le_reazioni-35517640/

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Reply 7 by Giove

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Beautiful Modale, you are also good at playing

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Reply 8 by modale

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I thank the friends of the forum for the feedback. I hope to have provided an example of how much can be done using practically only one way for several minutes. As you can see, a theme is not necessary to compose a piece; in modal harmony, the theme is the harmonic environment of the mode.

Try converting the mp3 format of the track into cd audio format and listen to it all on a good hi-fi!!.........

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Reply 9 by Frank

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modale wrote:

As you can see, a theme is not necessary to compose a piece

For the less experienced, I should point out that this has been the case since the days of dodecaphony; in fact, the series of 12 tones was not a melody but an ordering criterion that normally encompassed the entirety of the composition.

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