Grimm Brothers 'suite

What can I say... where have I ended up? They are wonderful. They are truly beautiful. Well done!

What can I say, from a "poor guy and egghead" I expected worse. They are beautiful Ale, what can I say... I am honored to be able to talk (and "argue") with someone like you

I wish with all my heart that they get published... but also performed, besides you have a stellar sampling.

Am I mistaken or had we already heard something?

Until next time and many congratulations again.

ok, you've decided to make me feel like sh... um um.

Nice, compliments.

Thank you, I am happy that you like them

i had already proposed "the frog prince", when I still didn't know if I would be able to go forward with other pieces ...

eastwest samplings

bye and thanks again !

Congratulations on your mastery of the orchestra, some atmospheres are truly worthy of being used as film music.

Essentially you handled the suite like a symphony, am I wrong? If so, what were your reasoning regarding the succession of movements (I am talking about their characteristics in terms of atmosphere and density, apart from more or less brightness)?

Aside from joining the chorus, compliments... but would the titles be in a certain sense "descriptive"?

Videoclip wrote:

Essentially you handled the suite like a symphony, am I wrong? If so, what are your thoughts regarding the succession of movements (I'm talking about their characteristics in terms of atmosphere and density, aside from more or less brilliance)?

Let's say that in the succession of pieces I chose a somewhat symphonic pacing because it always works: 1st moving, 2nd slow, 3rd with alternating atmospheres, a bit like a scherzo, 4th with a very pumped-up B. There isn't a precise design, however; it just seemed like the most engaging succession to me.

Marzapane, the titles only give an idea of the "soundscape" that one, if they wish, can strive to grasp. Often, to carry an idea forward, it is very useful for me to imagine a situation, even a vague one, which I then like to share, but the descriptive intent ends here; it is rather generic.

bye

Pregevoli Ale...pregevoli

I like the rhythm and the entries of the wind instruments at the beginning of "Il principe Ranocchio". Is the time signature an alternation of 7/8 and 6/8? You orchestrated it well, this is evident from a non-"expert" listening. Up to 30" the overlapping of the instruments even suggests a longer development.

I find these very listenable too... I had missed them...

My favorite fairy tales, compliments to AleGozzo. You guys are so good...

thanks everyone :)