Free thoughts and words

Henle's poker, brand new.

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Started by

maquieto

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Opening post by maquieto

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Massa Carrara

And to think that I will never have the time to study. But from the sheet music shelf, they will torment me by making me feel guilty and... this will be enough to remind me that even music needs its attention. I really hope I can manage to put something together.

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Reply 3 by maquieto

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in what sense? More than anything, I find it very easy to read. As for Concerto Italiano, I think I should be able to manage from next year... ha ha.. I'll study an hour a week if I study.

Pity me. If you have tips for better editions let me know, as long as they are easily readable.

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Reply 4 by antares86

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I usually use Durand for Debussy (they are also quite inexpensive and I have never had any reading problems), Wiener Urtext for Mozart, and Bärenreiter for Bach, apart from the concertos for which I use Dover, which are reprints of the Bach Gesellschaft. Let's say that I use Henle especially for Beethoven and Haydn, and eventually Schumann.

I'll show you an example page from Durand, Wiener, and Bärenreiter; here, go ahead and grab the sestina ahahah.

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Reply 6 by antares86

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Look for yourself, I've given you 3 examples: Debussy Durand, Mozart wiener and Bach barenraiter, damn, there's even my harpsichord fingering ahahaha

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Reply 7 by maquieto

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Debussy is much more legible on your ed. damn me.. at least now I know it. Mozart and Bach seem good on Henle too, apart from the reprint factor you were talking about. But what are you doing with Debussy... so in secret you have also evolved in pedaling. Ha Ha

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Reply 8 by antares86

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Look, I just adore Debussy... Ahahah I even recorded the Danse sacrée et profane (Dancer of Delphi) and the first arabesque somewhere ;)

Keep in mind that Durand is the original publisher of Debussy...

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Reply 12 by antares86

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Ah okok ahah

I'll give you another piece of info then, since it was his publisher they republished the complete works of Debussy... Which in practice serve as urtext editions.

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