Free thoughts and words

How to manage music licensing transfers

7 replies 1,571 views

Started by

Piccinesco

Member

Member

Opening post by Piccinesco

Posts
1,231
City
Villanova di Guidonia

I should preface that I already know some things, but I would like certain points to be clearer, such as the type of license linked to a temporary or indefinite use of a composition.

The licenses I would like to adopt are 3:

Exclusive license on complete tracks

Non-exclusive license on patterns/grooves (let's say loops created by me)

Synchronization license

I am preparing my own personal website with previews of both complete pieces and patterns; I have prepared the audio previews and have started setting prices for each type of piece (knowing that it will be almost impossible to sell them given the quantity available on the internet and especially because what I do is almost always perceived as

non-commercial, but I intend to persist, sooner or later someone will wake up), so the problem is not completing the site, which I am trying to make as intuitive and sober as possible (which is important), but properly defining the licenses I will be proposing.

I am no longer registered with SIAE, so this is a problem that no longer exists.

My doubts concern the duration of the licenses; for example, if I sell a complete track and set a price for one year of use (they can use the whole track or part of it), can I do that, or for a specific type of license must I assign the rights for several years (as happens, for example, with the label for which I published a series of tracks, with which I have a contract lasting 10 years?).

Furthermore, I do not want to open a VAT number (partita IVA), but rather manage everything as a composer who makes music and sells it, assigning reproduction rights while retaining authorship rights.

Not a single person has told me that what I do is difficult to sell, and if I were to publish some works just to sell them, so not to include them in a compilation for example, they would value them from 20 to 30 euros because the sounds used are old, without valuing the substance which for me is what counts; sounds can always be modified.

On the contrary, for complete tracks, I would like to propose exclusive licenses starting from a minimum of 100 euros (and even those are few), because I really don't feel like giving away what I do, given that I believe I do it (in most cases) in an alternative way and especially starting from scratch.

Instead, regarding patterns, I would like to sell them as extracts that can be used to create an entire piece; it depends on how they are assembled, obviously, but that would be a problem for those who purchase them; mine remains to make them, and well at that.

Here the price would be lower, let's say from 20 to 50 euros depending on the difficulty and the uniqueness of the sounds used.

There would also be the need to establish whether for a specific license (in this case perhaps synchronization falls specifically into this) one can request a percentage based on the seconds used, so as not to sell a piece once and for all, but to obtain revenue (which I will never see, let it be clear) every time it is used, even in part.

Anyway, in any case, the rights related to authorship would remain mine; what I must and intend to assign is "only" the right of use and distribution.

Administrator

Reply 2 by Thesimon

Posts
4,504
City
Ariccia, RM

As far as I know, once you purchase a track to be able to use it, you hold the rights to it without expiration. Another thing, however, is receiving royalties on reproductions, but there you should be able to understand how many people are listening to your track and it's not easy. Usually, estimates are made...

Member

Reply 3 by Piccinesco

Posts
1,231
City
Villanova di Guidonia

Thank you for the answer.

This is exactly the point that makes me doubt what to do, because I also think that, once a piece has been given away, if the person who bought it somehow manages to get a recording contract or otherwise gets paid, I would be left out; regardless, I am sending the material to several record labels knowing in part what they will tell me, there is no way out of it.

Administrator

Reply 4 by Thesimon

Posts
4,504
City
Ariccia, RM

You could always appeal to the file's creation date... In any case, for these things it is always better to protect yourself. I would do it this way. Electronic download from his site. To download, you must register and provide billing details. Once they provide the billing details, you know who to go after if someone speculates with your tracks. Additionally, you could also include it as netiquette: "the purchased track is licensed solely to the purchaser. Any use of it for other speculative purposes will be prosecuted according to the law."

Member

Reply 5 by Piccinesco

Posts
1,231
City
Villanova di Guidonia

It wouldn't be bad; regarding "protection," I have been using SafeCreative for a while and I deposit pieces from the embryonic stage to the final version (for which I usually possess the initial versions that I often created weeks, if not months or years earlier; the file I upload for listening is an mp3 extract of maximum 50 seconds, at 96khz and disturbed by white noise and sine waves intermittently in alternating phase, so that even if someone downloads them, they cannot make use of the "loop."

I did a test with the redirection to the PayPal site for the purchase (which will never happen, I'm being ironic about it) and it is perfectly functional; now I want to try other functions and verify if by setting up the download (which I wouldn't have set up initially anyway, because if a person were interested, I would provide them with the link for Dropbox or SugarSync to download the mp3 or the .wav) I can make it so that a user must enter their own data and the file is timestamped; I am not sure if this possibility exists on Wix, if not I will invent something.

Thanks for the suggestions.

What you are proposing, however, is an excellent solution: timestamping at the time of download

Administrator

Reply 6 by Thesimon

Posts
4,504
City
Ariccia, RM

At the time of download, you have the marking by obligation of the invoice. The PayPal billing tells you the object (File Name) and transaction date, so you cannot make a mistake.

Member

Reply 8 by Piccinesco

Posts
1,231
City
Villanova di Guidonia

At this point, I am the one who made it too difficult; viewed this way, it is simpler.

Another thing to specify, in addition to what you mentioned (regarding exclusive use for the buyer and the refusal to transfer to third parties or under any other form of sale the piece) is the obligation (in any case, it would be a moral and then commercial obligation) on the part of the buyer to communicate to the author the proposal to use the piece for publications that allow for the generation of income (it seems like the minimum to me, given that I wrote them).

Log in to participate