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Ico Foundation, orchestral musicians occupy the Province. 58 risk dismissal

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Ettore

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Reply 2 by Zedef

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Well..

the matter is quite complex, much more than it seems.

If I am not mistaken, it is an orchestra tied to, if not funded by, the Province (and in fact, the president of the orchestra is the president of the Province), but at a time when the Provinces are about to be dismantled with the consequent reassignment of their competencies to other bodies, thinking that it will be funded by them is pure utopia. It is symptomatic that, on one hand, the unions accuse the president ( http://www.leccenews24.it/attualita/fondazione-ico-gli-orchestrali-occupano-la-provincia-in-58-rischiano-il-licenziamento.htm ) and, on the other hand, the president pursues a support fundraising campaign ( http://www.provincia.le.it/web/icolecce ).

Then I would like to have a good debate on public funding.. I am against it; the State or whoever is responsible in the musical field should only fund schools (Conservatories first and foremost).

http://www.leccenews24.it/attualita/fondazione-ico-gli-orchestrali-occupano-la-provincia-in-58-rischiano-il-licenziamento.htmhttp://www.provincia.le.it/web/icolecce

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Reply 3 by Tenore

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In my opinion, orchestras and theaters without subsidies will close ... okay regarding the investment in training, but it is right that every self-respecting state has - directly or indirectly - active orchestras and theaters.

... all the better if they play the music of the living, enough with the usual reheated soup.

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Reply 4 by thallo

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I would be curious to have artistic information about this orchestra. It is not the first time it has been discussed on the forum, and from online searches, it doesn't even seem to be an active orchestra. I can't even understand if it has a headquarters, a concert hall, or something. On YouTube, there are many more videos related to the youth orchestra of the Tito Schipa Conservatory in Lecce.

When I think of a "provincial" orchestra, I think of the Haydn Orchestra of Trento and Bolzano. Well, the Haydn does nothing but play; it tours a lot and has an excellent level. Can I say that I have serious doubts that the closure of the ICO will not even minimally be a loss for the Italian cultural landscape?

Then we can discuss the social and educational value of an orchestra. But the world is full of orchestras without permanent contracts. Certainly, subsidies exist (because they exist for everyone). Collective dismissal is often the only way to bring about change in the reckless management of these behemoths.

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