Ladies and gentlemen, boys and girls, tonight I propose that we listen to the two Lisztian sonatas: the one in B minor and the fantasy quasi-sonata from the 2nd year of pilgrimage based on a reading of Dante's Divine Comedy.
dI must say, the second audio of the '59 Dante doesn't particularly blow me away; I have an Emi recording on CD that is decidedly better... but this will do.
if any good soul feels like telling us how these two sonatas are structured, I would say thank you very much
unfortunately yes ahahahahha but I'm in no hurry and the page stays here aaaaahhh if anyone feels like starting please go ahead otherwise it doesn't matter