Arrangements

Liszt's Totentanz for piano and string quartet.

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Corrado

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Opening post by Corrado

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Hello, I ask for the forum's hospitality to report an opportunity to my concert performer friends. It concerns Liszt's "Totentanz" for piano and orchestra, which these days can be a difficult production; since a large ensemble must be employed and a concerto for piano and orchestra must be organized, we know what that means for musical institutions.

A transcription for quintet (piano and string quartet) offers the possibility of performing it with many fewer practical difficulties and, on a stylistic level, reveals strong characteristics of modernity; the formal progression through continuous, even very brief variations presents an articulation that is dramaturgically very original and innovative, especially when framed within the dialogic and concertante relationship between soloist and orchestra. The structure is laid bare by becoming essential, and surprising traits of profound expressive concentration emerge. It is no coincidence that it is a paraphrase of the Dies irae. The piano part is practically unchanged except for small modifications and allows the pianist to express all their talent just like the original version.

I created this transcription on commission from Steinway pianist Marcello Mazzoni and the Pathos Ensemble, composed of violinist Glauco Bertagnin (First violin of Solisti veneti), Matteo Marzaro (I Virtuosi Italiani, first solo violin of the "Junge Philharmonie" of Cologne), Alessandro Pandolfi (I Musici di Parma, Orchestra Regionale del Lazio, Orchestra del Teatro “Carlo Coccia” di Novara, Piccola Sinfonica di Milano, Virtuosi italiani), cellist Giordano Pegoraro (Orchestra del Teatro Olimpico di Vicenza, Teatro Regio di Parma, Filarmonia Veneta, Solisti Filarmonici Italiani, I Virtuosi Italiani, Orchestre Symphonique du Jura (Switzerland), Basel Sinfonietta, Orchestra Sinfonica di Mulhouse (F), Ensemble Musagète).

The world premiere was held at the Teatro Municipale Valli in Reggio Emilia on October 12, 2014, with enthusiastic approval from the audience.

Anyone interested in receiving the score and parts can find me through my Facebook page ( https://www.facebook.com/sevardi ). I am starting contacts with a publisher, but at the moment I hold full ownership of the work.

https://www.facebook.com/sevardi

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Reply 2 by pianothor

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Mantova

Magnificent find, can we know if there will be other dates for the performances? If so, when? I would very much like to hear it, I don't even live too far from Reggio myself

Maybe in a few years I might also be interested in the score... I still need time, I need a little more time..

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Reply 3 by Corrado

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Thank you for your note Pianothor, I have been informed that there will be at least six dates in Italy starting from February 2015 in which the piece will be performed. I can write some more information here as soon as I know more myself. And good luck with your musical activities.

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Reply 7 by Corrado

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Thank you Frank

Hi Irina, the score is not available for download online. I have yet to deposit it, but I am available to provide it to performers who intend to play it, by formalizing the matter. For me too, music is work. For information and further details, you can write to me at info at sevardi.eu

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Reply 8 by Gerardo

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Corrado wrote:

the score cannot be downloaded online. I still have to deposit it,

If I'm not mistaken, the transcription does not create copyright... percentage rights are provided for in the case of processing or arrangement.

Probably you can only protect the authorship of that transcription.

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Reply 9 by Corrado

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In effect, Gerardo, at Borderò, the title is listed as such: original and by the original author. I can make a financial agreement with whoever performs and/or produces the performance for an eventual fee, as an artistically involved party. That is how I believe I understood it after discussing it with other musician colleagues these past few days. I wish to act correctly regarding current regulations, and for a historical composer like Liszt, I believe it works this way. I am interested in any suggestions regarding this. In fact, if you know more, I will take the opportunity to submit a question to you: I have ready two transcriptions of Piazzolla pieces and one of Jobim (with a second on the way), and here things get complicated, because I imagine I am required to have releases, since in this case they are actual arrangements and the authors' rights are still valid for their heirs. There is an ensemble that commissioned them from me to perform them. If I understood correctly, not having any relationship with a publisher at the moment, I must personally deposit them as "arrangements" and a commission evaluates the percentage of the arrangement relative to the original, with the subsequent calculation of performance rights. Am I wrong?

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Reply 11 by Corrado

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Hi Pianothor, the dates haven't been communicated to me yet; they told me about six performances, of which if I understood correctly, one will be in Rome and one in Liguria. As soon as I know something more precise, I will let you know. Thank you for your interest.

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Reply 13 by pianothor

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Mantova

Wow I'll try to be there since I am from Mantua, it's an opportunity not to be missed! I hope I don't have concerts on those two dates!!

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