Classical Music

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Reply 288 by danielescarpetti

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Castel San Pietro Terme

September 8, 1726

absolute first performance in the Thomaskirche in Leipzig of –Geist und Seele wird verwirret” BWV.35, cantata in 2 parts and 6 numbers (1.sinfonia, 2.aria, 3.recitativo, 4.aria/sinfonia, 5.recitativo, 6.aria) for contralto, obbligato organ and orchestra by Johann Sebastian Bach (adaptation from the Concerto in D minor for oboe BWV.1059), text by Georg Christian Lehms (“Gottfälliges Kirchen-Opffer”)

:wub:

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Reply 291 by danielescarpetti

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1,032
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Castel San Pietro Terme

September 9, 1957

world premiere (for the 10th anniversary of the BBC Third Programme) at the Albert Hall in London of Goffredo Petrassi's "Concerto No. 6 'Invenzione concertata'" (1.mosso, inquieto, 2.energico, 3.mosso, 4.energico, 5.adagio sostenuto, 6.tempo: liberamente, 7.molto deciso) for brass, strings and percussion, conducted by George Basil Cameron.

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Reply 292 by danielescarpetti

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1,032
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Castel San Pietro Terme

September 9, 1963

world premiere in New York of “Vexations” for piano by Erik Satie (“pour se jouer 840 fois ce motif, il sera bon de se préparer au oréalable, et dans le plus grand silence, par des immobilités sérieuses”) pianist John Cage and 9 others

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Reply 293 by danielescarpetti

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1,032
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Castel San Pietro Terme

September 9, 1968

world premiere (for the 31st Festival of the International Society for Contemporary Music) at the Scuola Grande di San Rocco in Venice of "Sesto Non-senso" ("He was an old man of the marsh"), piece no. 6 for a cappella choir by Goffredo Petrassi, text by Edward Lear ("Nonsenses"), Italian translation by Carlo Izzo, conducted by Nino Antonellini (choir master) and premieres of "Mottetti per la Passione" [Motets for the Passion], cycle of 4 motets (1.Tristis est anima mea, 2.Improperium exspectavit cor meum, 3.Tenebrae factae sunt, 4.Christus factus est) for a cappella choir by Goffredo Petrassi, conducted by Nino Antonellini (choir master); of "Estri", chamber symphony (1st version) for 15 instruments by Goffredo Petrassi, conducted by Marcello Panni; of "Serenata" (allegretto) for flute, viola, double bass, harpsichord and percussion by Goffredo Petrassi, conducted by Marcello Panni and of "Tre per sette", three performances for wind octet (4 trumpets and 4 trombones), conducted by Marcello Panni.

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Reply 294 by danielescarpetti

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1,032
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Castel San Pietro Terme

September 9, 1968

world premiere stage performance (for the 31st Festival of the International Society for Contemporary Music) at the Teatro alla Fenice in Venice of Bruno Maderna's "Concerto No. 2 for oboe and orchestra" (oboe player Lothar Faber) and premieres of symphonic fragments from "Le martyre de Saint-Sébastien" L.130 RB.124, 18 incidental pieces for voices, chorus and orchestra by Claude Debussy (for the mystery in 5 "mansions" by Gabriele D'Annunzio); of Anton Webern's "Fünf Sätze" op.5 (2nd version) for string orchestra and of "Figures-Doubles-Prismes" (augmented revision of "Doubles"), a composition in 4 movements for orchestra by Pierre Boulez, conducted by Bruno Maderna.

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Reply 296 by Frank

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Niccolò Jommelli was born in Aversa on September 10, 1714

Jommelli - Lamentations of the prophet Jeremiah for Holy Wednesday - Lesne - Gens - Rousset

http://www.youtube.com/watch?v=u-BV7cuwRU8&feature=youtu.be

Niccolò Jommelli (1714 - 1774) - Lamentations of the prophet Jeremiah for Holy Wednesday - Les lamentations du prophète Jérémie pour le Mercredi Saint (composed around 1750 in Rome). Gérard Lesne - Véronique Gens - Christophe Rousset, Il Seminario musicale. The recordings of this great Neapolitan melodist (who worked in Venice, Rome and Germany) are rare - and this one is precious... Let's enjoy it!

Giovanni Pannini, Interior of St. Peter's in Rome, 1750, The Hermitage, St. Petersburg

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