I am writing in this section because I would like to restore a minimum level of functionality, for purely educational purposes, to an old school piano. I am attaching images of the instrument and will then attach a couple of audio files, rough, but still useful for assessing its condition.
In more detail:
I am presenting the "problem":
In the local elementary school, there is an old piano that is effectively abandoned to itself and disused, appearing in a pitiful state: ruined and dirty mechanics, cracked soundboard (glued-off boards?), tuning dropped by an average of half a tone with all the unison strings out of tune, hammers in the treble area hitting off-center, and so on…
I have therefore proposed to "take care of it": once the idea of a restoration is set aside—which in my opinion would cost more than a used and usable piano, but I would like your opinion on this—I could "get my hands on it" with two linked purposes:
to attempt to tune it, or rather proceed as much as possible and without illusions toward a tuning, gaining experience myself without risking damage to a good piano. From this, I would then create a sort of educational workshop, aimed at middle school students or even other users outside the school, to bring them closer to the very interesting world of the piano, its evolution, the evolution of "Western" music with the choice of equal temperament, as well as the physics of sound, starting from the vibrating string in relation to harmonics and the natural scale, and then with beats in relation specifically to equal temperament. In reality, it is a work in progress that needs to be invented, but I believe it will certainly be fruitful.
In these terms, with a clearer and more organized discussion, I expressed myself to the principal, who quickly granted me permission to proceed, also thanking me on behalf of other people in the institute. I also think it was important to stir things up regarding this and other abandoned instruments in the town (one more important one present in the municipal premises which I would also like to discuss, but absolutely not touch J). Now, however, I must do my part…
The help I would therefore like to kindly ask of you is a general opinion on the instrument and on my statements regarding it, and then naturally advice on how to proceed, if you approve of the idea, in this experience of tuning and also small restoration (just to make the instrument minimally functional). For this reason, I am submitting images and audio samples to you. In particular, I would like to understand what the correct size of the tuning key is, or rather, which tuning pins/bushings to use.
hello and thank you
Ignazio Prignano