Wonderful music and lyrics, fabulous sounds (original and outside the mainstream).
In some pieces, recourse is made to the microtonal instruments of Harry Partch (one of the historical figures of the American musical avant-garde) and some arrangements are signed by Nico Muhly, one of the most successful composers of the latest generation of contemporary American authors.
Look, in Italy something similar is absolutely unthinkable because, making a clumsy parallel, it would be as if in an entirely Italian context one called Antonioni to write string and brass parts paying homage to Berio in a songs album.
I don't know if that's clear?