F. Chopin

Question about Chopin, Nocturne in C# minor op. Posthume

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Started by

foster12

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Opening post by foster12

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Good morning to all the pianists, musicians and composers of the forum.

I have a doubt.

In Chopin's posthumous nocturne, in C# minor at the eighth measure, (http://www.music-scores.com/graphics/ch_noc_20a.gif)

aligned with the A of the right hand, the left hand performs an F# minor 6^ arpeggio (please correct me if I am wrong).

The question is:

Why do many pianists start the arpeggio from F and others from D#?

Is it a matter of interpretative taste, different editions, or is there a more rigorous harmonic justification?

I am all ears for your opinions.

Thank you.

http://www.music-scores.com/graphics/ch_noc_20a.gif

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Reply 2 by antares86

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^6?? is it just me being half-asleep or is that person in a fundamental state?? regarding why I fear there are actually various versions, I encountered one regarding the waltz op 69 n 2....

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Reply 3 by foster12

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Pardon, I notice now that in the version I reported the F# minor is not in 6^ ... I am paralyzed -.-"

The question does not change.

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Reply 4 by Stellina

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Pianist who? Isn't it just that they play it by mistake? Anyway, the double version theory is plausible... one should verify it on more reliable sources for Chopin.

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Reply 6 by foster12

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Stellina wrote:

Pianist who? Isn't it just that they play it by mistake?

Hi Stellina,

one of the many is Janusz Olejniczak. That is, a pianist who played for Polanski's film The Pianist.

For example, for my personal taste, I prefer to put the sixth in the bass.

Janusz Olejniczak

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Reply 7 by Frank

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The edition published by Dover features a nice D#

Therefore, the hypothesis of a transcription error is credible, so I would check against the Pederewski editions which I do not have on hand at this moment

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