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Sei Gegregrusset Jesu Gutig Bwv 768

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Piccinesco

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Opening post by Piccinesco

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As I wrote in the information, I don't explain to myself how I managed to learn it on the fly last night, given how long ago

I had tried but gave up before even finishing the first measures; better that way.

There are 2 versions: the first emphasizes adherence to the sheet music more, but precisely because of this, the

staccato is more noticeable; trying to control the correct execution, I wasn't able to play the notes a bit more legato

in the right hand.

In the second video, the execution is faster, and in the finale, you can hear less of a difference between the previous speed

and the rallentando, but I had an uncertainty in the left-hand passage where there are successive

eighth notes B-flat_G in descending order; unfortunately, I cannot "stretch myself" there without making mistakes or at least

being more precise.

 

 

 

 

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Reply 2 by Organista94

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Having prepared it in a single evening, it is fluid, but the weakest part seems to me to be the touch, not very organistic... for the phrasing, which edition did you rely on?

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Reply 3 by Piccinesco

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I downloaded it months ago from imslp, the edition is not indicated on the sheet I printed.

The problem is that for fear of making a mistake in the performance, I did not slur some notes, which is why the staccato is heard too much; perhaps it would be advisable to use a softer registration, this would help a bit, and as for the 2nd version

anyway, I played it too fast, that's for sure.

As for the fingering, I am also struggling, especially in the parts that are too far apart; I haven't prepared it from this point of view and it shows.

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Reply 4 by ttw

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Sometimes to achieve a great improvement, it might be useful to completely change repertoire; it seems to me that you are very preoccupied with Baroque.

I don't know if you have ever reflected on this or if you have ever done it, there are works that are quite simple technically (not musically) such as Schoenberg's op. 19. Focusing on other difficulties gains freshness ... once you have returned "home"

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Reply 5 by AbateFaria

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Piccinesco wrote:

I downloaded it months ago from imlsp, the edition is not indicated on the sheet I printed.

The problem is that for fear of making a mistake in the performance, I did not slur some notes; because of this, the staccato is heard too much. Perhaps it would be advisable to use a softer register, this would help a bit, and as for the 2nd version

anyway, I played it too fast, that's for sure.

As for the fingering, I am also struggling, especially in the parts that are too far apart; I haven't prepared it from this point of view

and it shows.

Ok Piccinesco, but for one evening of study, it is a good result. Of course, one needs to study it more, but it's not like it's at zero

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Reply 6 by Piccinesco

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Yes, I recorded the piece again anyway, a bit more slowly; now I know it well by heart, I need to work on it better, the best thing would be to try playing four-part fugues

to get the hands used to finding the best positions without straining, which is not easy.

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Reply 8 by Piccinesco

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A series of samples that I recently sold anyway, it's about some of the house sounds I was telling you about a few days ago, Sampletekk; there is only one dvd containing sounds related to the "baroque" organ,

there is a series of manuals and combinations, in this case I used a series of combinations (fixed), then I will tell you in detail which ones they are if you want.

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