Simone Renzi plays Beethoven - "Für Elise"

Upon a first listen, the part at 1:08" seemed a bit too "fast" to me, as if it were slightly "not gradual enough" compared to the one preceding it; upon a second listen, however, I perceived more continuity between the before and after (I'm being kind, mind you).

The part at 2:08" is the one I like most for its fullness, the power it evokes, the dramatic quality.

This is a composition that I listen to very little, and I have listened to very little of it.

The feeling I had was that you played it with a certain verve, but always with respect and the necessary balance, especially in pieces of this type, which at first glance seem easy, but are not (and you know what I mean, regarding expression, not virtuosity), and I think the most difficult aspect is conveying that intimacy that perhaps Beethoven wanted to express.

What sound sample did you use? It's ultra natural (at least to my ear).

I also wanted to start doing a bit of experimenting with the P105b...

I don't remember Enrico, but hearing him play, just by ear, he sounds like the Galaxy Steinway to me