Workshops

Starting from a melody - 2014

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Frank

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Reply 121 by Gassy

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Thanks Bianca for the clarifications, I was reflecting... don't you think it's a bit schematic as a method?

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Reply 122 by Bianca

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Torino
Gassy wrote:

Thank you Bianca for the clarifications, I was reflecting... don't you think it is a bit schematic as a method?

should it be a good or a bad thing, in your opinion?

a method is by definition schematic (but perhaps I didn't quite understand what you mean)

or perhaps you mean that the scheme is very simple? but even in this case, should it be a good or a bad thing?

what can make one believe a priori that a scheme like a1, a2, a3,... is worse or better than a scheme A, B, A. In which case, it is not just the formal scheme that makes a musical object valid or not, but how this scheme is implemented....

or do you mean something else?

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Reply 124 by raffaeleb

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Modica (Rg)

Strauss is Highly Recognizable. By now, ever since I have been listening to "our" music, I recognize you quite quickly. I feel like (re)joining you and neglecting work a little bit. I don't know if I will be able to resist the temptation. I am waiting for the second little girl

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