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Opening post by danielescarpetti
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I really liked the idea of coloring the various sections: Intro, exposition divided into themes etc.
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Yes, Simone. In fact, what makes the whole thing particularly special and interesting is precisely this: Being able to clearly understand the various phases of the various compositions through a graph. And, moreover, it's not just Beethoven!
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I have been using these techniques for years and I can say that they are very communicative and of great educational value
I even took an exam by coloring the notes (still with an eraser, sharpener, and pencils... colored) and I always give this methodological suggestion to those who pass through my hands; there are compositions like the fugue that lend themselves remarkably well to such a purpose.
We have also discussed this on several occasions in our composition workshops.