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The Hoopoe and the Kestrel

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Piccinesco

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Opening post by Piccinesco

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1,231
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Villanova di Guidonia

For a few months now, I have been "keeping busy" with photography; I started with a Bridge camera but immediately opted for an SLR (digital, sooner or later I will try analog), because I am interested in using these "tools" in full manual mode. I absolutely do not want to make life easy for myself by obtaining questionable results that are difficult to achieve without various automations; for this reason, I only use lenses devoid of automatic controls such as autofocus, image stabilization, and regarding the camera, burst mode and other functions.

That being said, it is quite an arduous task to manage, first of all, to intercept both the birds I mentioned in the title and other species. There are two reasons: one pertains to the context (where I live there are pigeons, doves, kestrels, crows, seagulls, but also goldfinches, hoopoes, and other species I don't know), and the other relates to the speed of these birds, which makes shooting and everything that precedes it very difficult.

It is a reality that we all have before our eyes but do not notice, or we do not pay attention to it, but I assure you that in the end, you discover habits that you didn't even suspect before: for example, during this period in the area where I am, the kestrel usually leaves its resting place (?) in the morning between 6:00 and 7:30, most of the time literally tricking me, because I see it flying at a minimum of 400/500 meters from home when it is already too far away, but it has also happened that I found it less than 2 meters away, caught completely off guard.

I managed to photograph it in flight (but not decently) a few days ago, with a large lens (it is a Pentacon 500mm weighing 3.6 kg; after a few minutes, my arm risks giving out from the weight), manual, with a front aperture of almost 12 cm—something that, if compared to latest-generation lenses, would involve an expenditure of thousands of euros, but since I was able to buy it, we are talking very low figures, so don't worry.

Sooner or later I will publish some photos as soon as I take some decent ones (but not excellent; it is practically impossible to take photos of moving subjects, or so they say on the forums, but it is my intention to debunk this belief, and I have already partially succeeded; the quality of the images, moreover, is also due to the quality of the lens, certainly not comparable to those mentioned a moment ago).

In short, in this video it is possible to observe a hoopoe, very common in our areas but not always "visible"; I spotted it only once last year and 2 days ago, but I didn't have time to photograph it.

https://www.youtube.com/watch?v=-CVNhe4a0tc

In the other video, the kestrel, a fascinating small raptor, very common even in cities, but how many can claim to have seen it?

https://www.youtube.com/watch?v=iH3xsy0MSVA

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Reply 2 by sisifo1987

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368
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castellammare di stabia

Beautiful passion! I am also fascinated by the world of photography, and nature offers many creative inspirations that are worth immortalizing.

We look forward to seeing the bird photos as soon as you can.

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Reply 4 by Piccinesco

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1,231
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Villanova di Guidonia

Here, finally the first results of a certain quality; certainly the performances of some cameras and equally many lenses are unreachable, but if one thinks that until now photos like these had not been taken with this lens, a minimum of satisfaction is felt.

http://www.juzaphoto.com/m_galleria.php?t=1589060&l=it

http://www.juzaphoto.com/m_galleria.php?t=1589060&l=it

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Reply 5 by Thesimon

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4,504
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Ariccia, RM

What ISO did you work with? It looks like you have a dark lens...

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Reply 6 by Piccinesco

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1,231
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Villanova di Guidonia

It is written in the specifications: iso 640, considering that the sun was on the left and the kestrel was located at about 30/40 meters distance.

The lens is a Pentacon 500 and I set the aperture to 9.5; otherwise, I risked overexposure.

Why does it seem dark to you? In fact, the kestrel turned out even too bright; I worked a bit on the contrast and brightness to adjust the photo, which is nonetheless practically identical to the original.

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Reply 7 by Thesimon

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4,504
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Ariccia, RM

no, not for the colors and exposure which seem right to me, but for the grain that would suggest a high ISO

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Reply 8 by Piccinesco

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1,231
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Villanova di Guidonia

Ah, no that depends on the fact that I slightly cropped the image and applied a light sharpening intervention.

Then I will post the original to show the differences.

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Reply 9 by sisifo1987

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368
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castellammare di stabia

That one with the bird resting on the net is very beautiful.

i like the colors and especially the subjects

Out of curiosity, why did you use such a high ISO?

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Reply 10 by Piccinesco

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1,231
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Villanova di Guidonia

It depends on the objective; it is a Pentacon 500 f5.6 and I usually use it from f8 to f11, so you know what dropping the ISO too low would entail; furthermore, even if I could use an ISO up to 1600, the maximum "ceiling" for this camera (a Canon 40D) would be between ISO 1000 and 1200, but for obvious reasons (including the type of lens I use), the range I usually use is 640/800.

It is often birds, and some are very fast when they take off from a standstill or fly.

To give you an example, some more recent cameras allow for excellent results when working at very high ISOs, even 6400 and beyond; imagine that some reach 25600 and beyond.

The factor relating to so-called "noise" is minimized to the highest levels in these cameras, which consequently allow shooting at very low ISOs (even 200 or less) with speeds like 1/4000, all in "collaboration" with lenses equipped with anti-reflective lenses, fluorite-style, of superior quality, not to mention all the other features.

In a few weeks I will get a Canon FD 600 f4.5 S.C.C., old but certainly better than this one I have (which I will sell tomorrow).

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