Classical Music

The New Music Park Program

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Started by

Xenakis

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Opening post by Xenakis

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287

Last night I heard the presentation of the new Parco della Musica program. It seemed to me like a somewhat provincial program, completely lacking any event that combines quality and novelty in the same evening.

There will be Sakamoto, Einaudi, Glass, Alva Noto, and ... Sora Cesira.

In short, the usual suspects of show business from recent decades, plus a little something for the low-class crowd. With a hint of residual modesty: for Einaudi, evidently considered a young debutant, it was deemed necessary to seek a pedigree in his work as Berio's assistant.

Any provincial festival manages to be more original, more proactive; the capital, on the other hand, presents itself with a collection of mid-century modernism, not too pop and not too "dissonant", plus a few DJs...

If this is the face with which the capital presents itself, if these are the characterizing cultural events, the calling card of a nation, how much trust can be given to the rest of the country?

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Reply 3 by Feliciano

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40
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Roma

fortunately there is "Taste of Roma" the "largest Restaurant Festival in the world...."....so if we have a pajata and some nervetti and we are at peace!!!!!!

Well said dear Xenakis......

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Reply 5 by Piccinesco

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1,231
City
Villanova di Guidonia
Xenakis wrote:

I didn't understand

I mean that there are kids who, listening to the music of Einaudi for example—who, in any case, does not seem to have claimed to be

an innovator in the field—describe it as poignant, "this is music," and other adjectives that are "objectively" exaggerated, in the sense that

cecertainly, not knowing many works prior to and contemporary to his and our time, they have a "limited" vision, also due to

distribution issues; and anyway, when I go to record stores, CDs, etc. (now rarely), I see people not going beyond the pop/rock sections.

I don't think it is an
exaggeration to think that in some cases, perhaps very rare ones, one might witness self-limitation on someone's part

due to the shame of approaching or being seen near the "classical/contemporary" section—terms that are not borrowed from

those we know, but serve only to identify the wording of the sections themselves in some stores."

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