The Stefano Gobatti case

I would say without perhaps (Y)

Let's say that, even if some aspects may still prove to be objective (with all the limitations of the case), the fact remains that today as then, as always, the negative judgment of a public figure with a certain power of persuasion (but above all for merits achieved) is sufficient to make a potential new composer (in this case) see not hope, but more precisely the "certainty" or almost the certainty of being able to have their say, or at least not be remembered for someone's words instead of for facts, shatter.