Good evening everyone! I have to provide the figured bass for this trio sonata for flute, oboe, and basso continuo, there is just one very slight problem... They gave me a score that is borderline obscene with errors even in the two soloists, and the continuo part written out in full (imagine how that part can be ahahahah) which I am thinning out and correcting since it has parallel fifths, false relations in seventh progressions that don't resolve... In short, it's poorly made.
Now to the problem: dominant pedal in D minor, Vivaldi precedes the measure, arrives at the dominant then rests on B-flat/G#-A-F#, now the second is clearly the tonic, and the first seems like an appoggiatura to me... But this guy... He put a diminished seventh that isn't diminished because the third is diminished... In short, this stuff sounds terribly out of tune, but I don't quite know how to fix it... I am attaching a photo of the passage to be clearer.
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Gerardo
Member
Reply 2 by Gerardo
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277
I didn't quite understand the context, could you post the full page and furthermore, the continuo player knows what to do with the continuo part... they don't need suggestions. I didn't understand although of the origin, the function of this score and what is Vivaldi's.
Yes abatino but I'll only give you the bass and the soloists without realization ahahahah wait a moment
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Gerardo
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Reply 10 by Gerardo
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277
As also happens in Bach, the figured bass is not always available. The continuo player for whom they improvise following the bass line, synthesizing the harmony through the other parts
Eh I know, but the problem with that point was a passage with two appoggiatura notes at the interval of a diminished third over a dominant pedal, but I solved the problem by holding the key down until the cadence
PS abate did you want Vivaldi's original score or my complete realization? Ahahahah I am about fifty measures from the end of the entire trio.
