Good evening everyone, I wanted to know your opinions on the pairing of Bruno Walter and Mozart.... more precisely on the requiem....
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Opening post by antares86
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Good evening everyone, I wanted to know your opinions on the pairing of Bruno Walter and Mozart.... more precisely on the requiem....
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Even if egregiously directed by Celibidache, Bruno Walter's remains, in my opinion, unsurpassed (this also applies generally to conducting Mozartian compositions), with only Wilhelm Furtwängler standing alongside him
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There are too many recordings around
I would take a recent one like
Nikolaus Harnoncourt
Arnold Schoenberg Choir
Concentus Musicus Wien
Christine Schäfer (soprano); Bernarda Fink (alto); Kurt Streit (tenor); Gerald Finley (bass)
Deutsche Harmonia Mundi- 82876 58705 2(CD)
and going backwards, the type by Solti, Bernstein and Karajan
Once you have listened to them all, you return to Walter and sum it all up
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The problem with Walter's one is the audio quality
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Even though I greatly appreciate Bernstein, I find his interpretation of the requiem too nineteenth-century and theatrical .... perhaps a bit distant from Mozart, although it is difficult to ask him. Practically speaking, I hear more Bernstein than Mozart.
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Dino wrote:Practically, I feel more Bernstein than Mozart.
...one would also need to evaluate how much Mozart there is"}
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I know Karajan's version like the back of my hand, it was the first one I heard
with Bernstein I have a hard time finding it, Solti's I heard a while ago I think......
Gerardo, I usually stop once the sequence is finished ahahahaha
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mmmhm Antares, what do you know about HVK? Did you know she recorded it twice? Since great performers don't always stay the same, HVK should be evaluated in her evolution as a Mozartian interpreter from the '60s until her death
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That one with baltsa and van dam from 1976....
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I should listen to Bernstein's version too; in the meantime, I started looking for it and found it; the video is part of a playlist in which it is possible to find the entire Requiem