Conducting

Winds And Percussion In The Orchestra Will Have To Play With Headphones

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Dino

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Opening post by Dino

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277

It's official: wind and percussion instruments in the orchestra will have to play with headphones!

Italian law is very attentive to occupational safety issues; all causes of risk to which employees are subject must be carefully evaluated, including obviously exposure to noise and high sound levels, from which serious pathologies can arise. In the delicate sectors of music and entertainment (it is curious how the two things have been associated), given the criticality of the situations, especially those in which artistic requirements themselves imply high levels of sound exposure, there has been a regulatory vacuum in recent years due to the lack of implementing provisions.

Now, finally, the ministerial guidelines have been published which should dispel any doubt regarding the application of current legislation. Unfortunately, the document (as well as the legislative norms) does not seem to contemplate the specificity of situations in any way, let alone the reality of the facts.

Leaving aside the very approximate data published in the guidelines regarding the exposure of orchestral musicians and relying instead on more considered studies carried out within the ISPESL framework (1), it is discovered that, subject to all verifications for individual cases, brass and percussion are almost certainly obliged to play with headphones, while woodwinds are in a borderline situation (being subject to weekly levels that exceed the upper action value). Violins should get by just barely, while for violas and cellos, which exceed the lower action values, the employer should provide them with headphones, after which it would be up to them to decide whether or not to use them (and in the case of violas, I dare not imagine what the decision might be.).

The floor is yours

(1) "Pilot study of professional exposure to noise and auditory functionality of musicians of a national opera orchestra", P.

Nataletti1, R. Sisto, A. Pieroni, F. Sanjust and D. Annesi Higher Institute for Occupational Prevention and Safety (ISPESL), Department of Occupational Hygiene, Physical Agents Laboratory, Monteporzio Catone (Rome)

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Reply 2 by Carlos

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759

Is this a joke? A musician playing with headphones is like a pilot driving blindfolded...

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Reply 3 by Rotore

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There are instruments where intonation must be obtained "by ear" by adjusting the position of a finger on a string, or by moving a slide, not to mention having to hear what a conductor sometimes says with perhaps just a single word. In cases like these, what is done? Do you create a headphone system with a hyperdirectional microphone towards your own instrument? Do you go at random? Or do you use flags like in the navy? Or even replace traditional bows with keyboard bows? And for trombones and various brass?

A genius thought of it....more than Beethoven....who was actually deaf himself....

As Toscanini used to say...."Who is the union representative here? (NBC orchestra)". The first trumpet stands up. "Well, please, could you have Article 1 of the statute implemented, to play the right notes?"

.. come on...

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Reply 5 by maestrosfredda

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Verona
Rotore wrote:

There are instruments where tuning must be achieved "by ear" by adjusting the position of a finger on a string, or by moving a slide, not to mention having to sense what a conductor sometimes says with perhaps just a single word. In cases like these, what is done? Do you create a headphone system with a hyperdirectional microphone pointed towards your own instrument? Do you go at random? Or do you use flags like in the navy? Or perhaps replace traditional bows with keyboard bows? And for trombones and various brass instruments?

A genius thought of it.... more than Beethoven.... who was actually deaf himself....

As Toscanini used to say.... "Who is the union representative here? (NBC orchestra)". The first trumpet stands up. "Fine, could you please have Article 1 of the statute implemented, regarding playing the right notes?"

.. oh come on...

I share this quote and add: isn't there a similar concern for all rock and pop concerts with amplification at the limits of human endurance? In the summer, in every square in Italy, any singer (from Orietta Berti to Ligabue) sings with truly unbearable amplification and nobody has anything to object to."

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Reply 6 by Thesimon

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Ariccia, RM

This thing seems absurd to me... Violinists should also wear earplugs then, don't you think the violin's high register is so tender on the ear, especially because the Fs are right there nearby. I knew that some drummers (not wide-spectrum percussionists) used earplugs during practice but certainly not in concert... Mah...

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Reply 8 by Thesimon

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Ariccia, RM

Actually, the documents speak more of reflective and absorbent acrylic glass panels rather than earplugs, which on the contrary are recommended (I am speaking regarding orchestral musicians)...

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