This time I played it myself, and you can tell; I didn't want to (for the moment) make other recordings because this one, in theory,
can pass, I played and recorded it "live".
Unfortunately, I "noticed" that I got a note wrong (on the score), a crucial note because it changes the perception of a certain point a bit; I recorded it exactly as it is written.
The piano dynamics are a bit difficult to manage, in the end I left it as it was.
Thank you, it feels strange to listen to it through speakers (even if small ones); I played it with headphones, and the pianoforte is digital; the sound
is from a Reason refill.
You will surely notice that some indecisiveness in playing is due (in addition to the issue of the dynamics of this piano I used, which is the second "problem") to my not-so-relaxed way of being at the piano; also, I play with a chair and not
with a bench, though the height is correct; I made sure to position the keyboard of the digital piano at exactly the same
height as my real one, then there is the biggest problem: I almost don't touch the keys, a piano teacher where I would have studied pointed this out to me several times; I tend not to press down with force with my fingers, but rather almost to hover over the keys, and this stems somewhat from the "fear" of making myself heard; for years I haven't played because, as you well know, in apartment buildings "musicians" are not always well
accepted, and even though I try to regulate myself, I always use headphones; now I know that I cause annoyance even just with the noise
of the key mechanics, so it is self-induced repression, and this is reflected in the touch which is already somewhat uncertain by itself,
such that it worsens.
Tomorrow perhaps I will publish 2 versions of Bach's Two-Part Invention; I have decided to record it.
T
ttw
Member
Reply 4 by ttw
Posts
277
Regarding the performance, what actually stands out most to the ear is a slight lack of dynamic differentiation and poor management of agogics.
Perhaps a different execution would also better enhance the composition.
Unfortunately, the dynamics are a problem; it is also (besides me, obviously) the piano sample I used that is a bit difficult to manage in terms of velocity, then there are things I would do over, but at this point I would make 10 different recordings,
I am also trying to loosen the "obsession" with making things too precise; the pianistic technique isn't there.