(.. in parentheses, some "magistri" of the forum have already discussed this elsewhere; http://www.edumus.com/forum/read.php?16,303554 )
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Reply 21 by Zedef
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(.. in parentheses, some "magistri" of the forum have already discussed this elsewhere; http://www.edumus.com/forum/read.php?16,303554 )
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Zedef wrote:I wouldn't be so sure about that. Anyway, it's a trifle since in practice one doesn't find intervals that exceed the more than au/etc.
il sense was that of your subsequent posts.
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Zedef wrote:(.. in parentheses, some "magistri" of the forum have already discussed this elsewhere; http://www.edumus.co...d.php?16,303554 )
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I found something
www.pianoconcerto.it/forum/index.php?/topic/670-intervalli-in-musica
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Ludovica wrote:I found something
www.pianoconcerto.it/forum/index.php?/topic/670-intervalli-in-musica
I had posted this interesting pdf, maybe it can also be useful to the author of this topic
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DanielePiano wrote:anyway Zedef, however, Piston considers them excess, he doesn't even call it the augmented interval... strange.
In the meantime, I am attaching other exercises.
page 10 no.3, on the minor second, the diminished sixth... I would take a look at it
page 10 no.4: I think you are off-topic
Page 10 no. 5:
a) you'd think more of Eb major, F minor would be natural but is not provided for by ascending motion, so perhaps it's better to indicate a modal scale
b) also G+, for example
c) also D- harmonic, for example
d) also E+, for example
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I understood the errors in ex. 3: the minor 2nd is not Reb-Mi but Reb-Mib; the diminished 6th Reb-Sibb is not correct because it is a minor sixth, it should be Reb-Sibbb... a special case where the B is diminished three times.
Regarding exercise 4 instead, I didn't understand....why are they off-topic??
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Enharmonic equivalents... right?
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Yes....two intervals are said to be enharmonic when played outside of a musical context they produce two equal sounds, but in the presence of a musical context they produce different sounds. Example: D-F and C##-E# ....C#-D and Db-Ebb
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Exactly Daniele, do you find a correspondence between the dyads of 10.4 and 10.3?
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I don't understand you, oracle.... yes, I find a match.......
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Ok, I read: "10.4 write the enharmonic equivalents of the previous exercise 10.3"
So, 10.3:
-10.3.a) Db A, I expect in 10.4 something like C# Bbb... I read Db, A
-10.3.b ) Db Eb, I expect in 10.4 something like C# Fb... I read Dbb, Bb
Etc.
I think then that I haven't understood the requirements of the exercise
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The exercise simply asks to write two intervals that are enharmonically equivalent to each other.
What is your definition of an enharmonic interval??
Isn't Db enharmonic to C#??
Isn't Eb enharmonic to D#??
Isn't Db enharmonic to Bb??
Isn't Db enharmonic to E??
etc...
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I reviewed the exercise and noticed that some are wrong.... but not all... in fact, in ex. 10 no. 4, only the 1st pair and the 4th are wrong; the rest should be correct.