From this immense topic
http://www.pianoconc...a-nella-musica/
I am taking inspiration from this post by Bianca
Bianca wrote:And anyway, why preclude a path a priori? Why can't there be a work whose very goal is to research the ways of coexistence between two different systems like the tonal and the serial, and that shows its coherence precisely in this? Are we not in the era of total integration?
I wouldn't want to let this idea slip away because it would be nice to dissect a bit the 4 assumptions I put in the subject:
Integration, juxtaposition, contamination, influence (in music, obviously)
Are there nuances? Are they independent aspects? In conflict or correlatable? What determines if something has truly been Integrated, juxtaposed, contaminated, or influenced?