Laboratory - Orchestra 2013

But when is the term set?

raffaeleb wrote:

But when is the deadline set?

The original deadline was the end of January 2013; the last workshop on sonata form caused some delays and the end of February was being considered.

Let's say that given the fugue for mid-May, which was also moved (if I recall correctly)...you decide. When ready, post it.

Eventually, you could propose those for guitar and then the relative orchestration...also to gather opinions in this sense.

But have you already "delivered"?

Anyway, I am still at the guitar writing stage.

I haven't started with the score yet.

Anyway, yes, when I can, I will "Deliver" it

For me variations are unreachable, but I am curious to hear your first time

raffaeleb wrote:

But have you already "delivered"?

Raffaele, I suspect you are the only active participant for this laboratory

... betting everything on you

Not even you?

anyway, I'm getting deathly passionate about it.

raffaeleb wrote:

Not even you?

Actually, I wrote them and you already know them... last year I did a "messy job".

So I am waiting for the others

raffaeleb wrote:

anyway, it's becoming deathly fascinating to me.

Variations can be satisfying

Do you already know them? Did you post them? I don't remember.

raffaeleb wrote:

But have you already "turned it in"?

I am a bit messed up with the conservatory, so I had to pass... in Bach's prelude I saw many possibilities...

raffaeleb wrote:

Here are my variations

Do you happen to have an audio file?

Here are the scores

http://www.pianoconcerto.it/forum/index.php?/topic/2273-laboratorio-orchestra-2013-elaborati/

If you can do it Raffaele, even just 2 words to better understand where you started from and where you have arrived

Must I reveal it so soon?

No, I prefer your impressions first.

Anyway, in the past I have already given you the key.

Let's see who can find something.

A sort of dance has emerged

I need to look at it closely, I'll let you know

Chaconne

A bit of a peculiar start, but then a good musicality emerges.

I see that since it is a piece for guitar, you are being cautious.

Anyway, responding to zedef, it is a Passacaglia

I wouldn't know how to evaluate its playability and, Passacaglia aside, I am focusing on tracing the fragments of Bach's piece in your composition.

I will reveal it later, it is very hidden;)

If there is a descending bass from tonic to dominant, chromatic or not, it is a chaconne and not a passacaglia, at least from a historical point of view.

Question: is the G on the 2nd line at bar 10 a sharp? same for the F at 12 and so on (26, 28, 34, 36, etc..)